
The story moves along and it kept me interested, but the author uses some amusing and contrived literary devices to develop and resolve plot points. There’s just a huge pile-on of bad luck on the main character. Sango will do something and a chapter will end and he’ll say something like “Trust me, this is a great plan.” Then inevitably the next chapter starts and with a sentence like “Sango’s plan was not a good one, and he lost his job because of it.” It’s quite amusing it its predictability. There’s also the way the author resolves certain plot points involving both major and minor characters. A character will have some big part in the book, they’ll get dropped for a chapter or two, then later their name will come up and another character would go “Oh, didn’t you hear? They died.” And that’s that. Seriously, two major characters were resolved in this manner, and a few minor characters were bumped off this way, too. And then there’s, of course, a happy ending. Upon a quick review of a few articles about Ekwensi's writing style, he was evidently an author of quite a few short stories, which explains a lot about this novel's structure; it's full of short little plots that are loosely strung together as a whole. It was also his first novel, so his style for longer works was likely still development. I enjoyed reading it. It’s a fun, easy read.